{"id":7899,"date":"2017-10-23T22:03:56","date_gmt":"2017-10-23T21:03:56","guid":{"rendered":"http:\/\/jbaproduction.com\/?page_id=7899\/"},"modified":"2020-09-24T16:52:00","modified_gmt":"2020-09-24T15:52:00","slug":"production","status":"publish","type":"page","link":"http:\/\/jbaproduction.com\/en\/production\/","title":{"rendered":"PRODUCTION"},"content":{"rendered":"

JBA PRODUCTION \u00a0JACQUES BIDOU \u00a0MARIANNE DUMOULIN<\/strong><\/span><\/h3>\n

Since its creation in 1987, JBA Production<\/strong> has explored new cinematographic worlds, focused on new talent uniting high stakes in both content and cinematic form. In this way, we have produced more than 115 films.<\/p>\n

Fiction emerged through the continuity of our documentary work and in the same orientation. In our early years, we produced Ni con Dios, ni con el Diablo\u00a0<\/strong>(Peru), Tinpis Run\u00a0<\/strong>(Papua New Guinea) and Les Enfants du Diable<\/strong>\u00a0(France). In 1994 at the Cannes Film Festival, three films we produced were presented in the Official Selection. Two first films, Rice people<\/strong>\u00a0by Rithy Panh (Cambodia) in competition Cannes 1994, Xime<\/strong>\u00a0by Sana N’Nhada (Guinea-Bissau) official selection Cannes 1994 and Bab el Oued City <\/strong>official selection Cannes 1994, the fifth feature by Merzak Allouache, a witness to the mounting violence of his native Algeria.<\/p>\n

In the same spirit, since 1994 we produced Flame<\/strong>, by Ingrid Sinclair, first feature from a Zimbabwe filmmaker and\u00a0Hey\u00a0Cousin!<\/strong>\u00a0by Merzak Allouache, two films selected by Cannes\u2019 Directors\u2019 Fortnight in 1996; Fools <\/strong>by Suleman Ramadan, first feature by a young black South African filmmaker, which won the 1997 Locarno Festival\u2019s Silver Leopard,\u00a0Aristotle plot<\/strong>, second film by Jean-Pierre Bekolo a young Cameroun filmmaker, selected by both Toronto and Sundance ; Dance of the wind<\/b>, first film by the Indian filmmaker Rajan Khosa, presented at the 1997 Venice Festival ; One evening after\u00a0the war<\/strong>\u00a0by Rithy Panh, second film of a trilogy on the generation sacrificed by a particularly cruel interminable war (Cannes 1998 – Official Selection),\u00a0The\u00a0Mutants”<\/strong> by Teresa Villaverde (Cannes 1998 \u2013 Official Selection), Shadows in the dark<\/strong>\u00a0by Pankaj Butalia (Venice 1999), Lumumba<\/strong>\u00a0by Raoul Peck (Cannes 2000 \u2013 Directors\u2019 Fortnight),\u00a0April Captains<\/b>\u00a0by Maria de Medeiros (Cannes 2000 \u2013 Official Selection),\u00a0Pau and his brother<\/strong>\u00a0by Catalan filmmaker Marc Recha (Cannes 2001 – Competition) ; A part of sky<\/b>, first feature by young Belgian director B\u00e9n\u00e9dicte Li\u00e9nard (Cannes 2002 \u2013 Official Selection),\u00a0Feathers in the head<\/strong>, first feature by the Belgian filmmaker Thomas de Thier (Cannes 2003 \u2013 Directors\u2019 Fortnight),\u00a0Dear Madame Catherine<\/b>\u00a0by Marc Recha (Cannes 2003 \u2013 Official Selection), Patricio Guzman\u2019s feature documentary Salvador Allende<\/strong>\u00a0(Cannes 2004 \u2013 Official Selection), Zulu Love Letter<\/strong>\u00a0by Ramadan Suleman (Venice 2004 \u2013 Official Selection), Salt of this Sea<\/strong>\u00a0by the young Palestinian Annemarie Jacir (Cannes 2008 \u2013 Official Selection),\u00a0Salamandra<\/strong>\u00a0by Pablo Ag\u00fcero (Cannes 2008 \u2013 Directors\u2019 Fortnight),\u00a0Face<\/strong>\u00a0by Tsai Ming Liang, (Off. Selection, in Competition Cannes 2009), Corpo Celeste<\/strong>\u00a0by Alice Rohrwacher (Directors’ fortnight Cannes 2011),\u00a0The repentant<\/strong>\u00a0by Merzak Allouache (Directors\u2019 Fortnight Cannes 2012), A respectable family<\/strong>\u00a0by Massoud Bakhshi (Directors\u2019 Fortnight Cannes 2012), Virgem Margarida<\/strong>\u00a0by Licinio Azevedo (Toronto), Carne de perro<\/strong>\u00a0by Fernando Guzzoni (Best Film at San Sebastian New Directors), The rooftops<\/strong>\u00a0by Merzak Allouache (Venice 2013 in Competition), Stray dogs<\/strong>\u00a0by Tsai Ming-Liang (Venice 2013 in Competition\u00a0: Grand Prix of the Jury Silver Lion), Cain\u2019s children<\/strong>\u00a0by Marcell Gero (San Sebastian New Directors 2014), Eva doesn\u2019t sleep\u00a0<\/strong>by Pablo Ag\u00fcero (Toronto, Competition San Sebastian 2015),\u00a0Jesus<\/strong>\u00a0by Fernando Guzzoni (Toronto and in Competition San Sebastian 2016) ,\u00a0Wajib\u00a0<\/strong>by Annemarie Jacir (Competition in Locarno 2017, Toronto),\u00a0“Donbass” <\/strong>by Sergei Loznitsa (opening the section Un Certain Regard Cannes 2018),\u00a0Yalda, a night for forgiveness\u00a0<\/strong>by Massoud Bakhshi (Grand Jury Prize Sundance 2020) and Sow the Wind<\/strong> by Danilo Caputo (Panorama Berlin 2020).<\/p>\n

A big line-up for a structure when taking into consideration that we also continue to produce documentaries for television, such as Tales from a Hard City<\/strong>\u00a0a Marseille 1994 prize-winner; My Vote is My Secret<\/strong>\u00a0a Cin\u00e9ma du R\u00e9el 1995 prize-winner ; People from the shantytowns<\/strong>, awarded Best Doc at Scam 1996 ; Our friends at the bank<\/strong>\u00a01998 Silver Fipa, The Medellin notebooks<\/strong>\u00a0Prize and Public Prize at Nyon 98,\u00a0Justice<\/strong>\u00a0Prix Michel Mitrani at Fipa 99,\u00a0My American Family<\/strong>\u00a0in Competition at Nyon and Marseilles 2000 ; Profit and nothing but !<\/strong>\u00a0selected at Input 2001 ; Taxi parisien<\/strong>\u00a0(2002),\u00a0God, Dollar, Flag & Dog<\/strong>\u00a0(2005) and recently\u00a0Notes from a kurdish rebel<\/strong>\u00a0by Stefano Savona, Scam Prize Cin\u00e9ma du R\u00e9el 2006,\u00a0Fucking Sheffield<\/strong>\u00a0by Kim Flitcroft, Heureux qui connut Nice<\/strong>\u00a0by Robert Bozzi, the feature The Energumen<\/strong>\u00a0by Jean-Lo\u00efc Portron and the documentary by a collectif of young South African directors Soweto times of warth <\/strong>selected at\u00a0Johannesburg, Durban 2016.<\/p>\n","protected":false},"excerpt":{"rendered":"

JBA PRODUCTION \u00a0JACQUES BIDOU \u00a0MARIANNE DUMOULIN Since its creation in 1987, JBA Production has explored new cinematographic worlds, focused on new talent uniting high stakes in both content and cinematic form. In this way, we have produced more than 115 films. Fiction emerged through the continuity of our documentary work and in the same orientation.[…]<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template-fullwidth.php","meta":[],"yoast_head":"\nPRODUCTION - JBA PRODUCTION<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jbaproduction.com\/en\/production\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"PRODUCTION - JBA PRODUCTION\" \/>\n<meta property=\"og:description\" content=\"JBA PRODUCTION \u00a0JACQUES BIDOU \u00a0MARIANNE DUMOULIN Since its creation in 1987, JBA Production has explored new cinematographic worlds, focused on new talent uniting high stakes in both content and cinematic form. 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In this way, we have produced more than 115 films. 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